![]() In a no-longer-fresh technique to multiply points of view, an onstage camera crew follows the characters around, sending a live feed to a screen above their heads, so that we get billboard-size close-ups of Lucia’s laptop, her phone, her ritual of primping in the bathroom mirror, even her make-out sessions. ![]() ![]() In the Metropolitan Opera’s new production, located in a hallucinatory present, that shattering takes place not just on the stage but on many screens, that fractured habitat where so many people now try to survive. Lucia di Lammermoor is an opera about a woman whose sense of herself splinters into shards. ![]()
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